Tuesday, November 29, 2005

TEH TIME IS 11:57 LOL!!1!

If hackers ruled the earth... Big Ben would look a little different, among other things.

The Onion takes another well-deserved swipe at the copyright goons: "RIAA Bans Telling Friends About Songs."

What happens when the Family Circus meets Cthulhu? It's, like, totally Cyclopean.

(Thanks Boing Boing.)

News Flashes

And now, for some news that matters only to me...

George Romero is talking about doing a fifth "Dead" movie. Land o' was pretty disappointing to me, but maybe he can whip up something better next time.

And Steve Purcell gives the low-down on the (hopefully) upcoming new Sam & Max game, as well as new comics of the lovable crime-fighting(?) duo.

That is all.

(Propzzz to Greg for the S&M -- er, Sam & Max link.)

Friday, November 25, 2005

IM FORTUNE'S F00L, SUX0R!!!1

Romeo and Juliet translated for the l33t generation. OMG IT R0X0RZ!@!!1 (Warning: long-ass flash file.)

Wednesday, November 23, 2005

Happy Thanksgiving!

In case the turkey thing doesn't work out, you could always try to re-create the Charlie Brown Thanksgiving.

Ann Arbor Library: No Thanks, Sony

Ed Vielmetti reports that the Ann Arbor District Library will not be stocking any Sony BMG music discs with DRM malware on them. Now where am I going to go for my Celine Dion fix? Ypsilanti?

Not-So-Stupid Beer News

Sez the Ann Arbor News, Jolly Pumpkin, makers of some booze-tastic Belgian-style ales, won another GABF medal in September and be looking to expand distribution.

I talked to Ron at the last beer tasting at Arbor and he said his plans for a seating area at the brewery will not be realized before summer 2006.

Plus, this is a cool quote:

"Ann Arbor seems to be a good spot for people who are into beer."
Dude!

Tuesday, November 22, 2005

Stupid Beer News: Thanksgiving Edition

Note: It's the Thanksgiving Edition only because it's near Thanksgiving, not because any of this crap is actually related to the holiday.

If memory serves, Flying Dog tastes like ass (unless I'm confusing it with something else), but the name of their Sin City festival, Beer and Foaming in Las Vegas, is freakin' awesome.

The Internet is causing some Trappist monks great consternation, as more and more drunken slobs cop to the fact that the brothers brew some great stuff.

Some enterprising dude has taken Google's maps program to suss out where beer (or wine or liquor) is available for real-time purchase in Toronto at any given hour. Unfortunately, the Canucks have some really backasswards Soviet-style liquor laws, so this is not as impressive as it sounds. But it's a cool idea.

And finally, shouldn't this have been Bud Light?

Any Takers?

This thingy has been making the rounds on some of the other blogs I read:


My blog is worth $7,903.56.
How much is your blog worth?


No shit, really? That's a lot of beer money. Investors, inquire within...

Friday, November 18, 2005

You Will Be Humiliated When the Sports Team from My Area Defeats the Sports Team from Your Area

I was out and about last night, and already the mullet-headed slackjaws from Ohio have started rolling into town. I guess when you don't have a job, you can spend days just drinking and waiting for a college football game.

Speaking of, keg of MBC IPA at my place on Saturday for anyone who wants to stop in and spend the day drinking and watching a college football game.

A game? THE game! Brian of Mgoblog peers into his crystal ball and calls it, 23-21 Michigan. (Be sure to see his story about visiting the knuckle-dragging goons of Columbus during last year's game.) Wojo in The Detroit News says 23-20, Michigan.

Me? The only thing I'm predicting is my own inebriation. Cheers!

Thursday, November 17, 2005

More on Sony

Excellent, succinct article in Wired encapsulating the entire Sony BMG saga (complete with links.)

Sony BMG has finally released a list of its music titles with the rootkit malware on them. If I was Neil Diamond, I'd be trashing Andy Lack's office right now.

Wednesday, November 16, 2005

StuBeNew II

This just in:

Drinking beer is the cure to cancer. Well, ok, not quite. But still.

Tuesday, November 15, 2005

StuBeNew

Stupid Beer News is back with a couple overdue items (thanks Verd and Greg).

You thought the NEA funded some weird "art" in the United States? Well, this woman in Japan got taxpayers to foot the bill so she could get plastered on beer. Who knew I was creating art every night I got home from work and passed out under a table?

I've given up the idea of writing 50,000 words on my novel this month, but I could always try this alternative to NaNoWriMo: NaDruWriNi, National Drunk Writing Night. Er, wait, that's every night.

Finally, I can combine drinking beer with helping restore New Orleans: two things I love. Thanks, Abita! (Also, dude, reminder: Mardi Gras is February 28, so that means MG party here on February 25; mark your calendars, dammit, and details to come closer to the day.)

Live in Your World, Pay in Ours... And Pay... And Pay...

Sony's aggressive attempt to restrict the use of its products takes another turn with this story of a patent that would tie a copy of a game to a single console. That would mean no loaning your games to friends, or even using them yourself if you had to replace your console after it got damaged or stolen. Sony, for its part, is assuring people games for its upcoming PlayStation 3 won't behave in this way. But... what will they do with this technology in the future?

On Music, Rootkits, IP, and Being Human

I should preface this post by noting that I am not a philosopher, lawyer, or computer nerd and that I do not possess in-depth knowledge of the things I'm about to discuss. Rather, I'm just an ordinary Joe with certain ideas about the world and, like plenty of other folks, I'm using the Internet as a way of thinking out loud about contemporary events and trends.

By now, most everyone has probably heard or read something about the Sony BMG music discs* that install, without the consumer's knowledge or proper consent, potentially insecure and exploitable software whenever the disc is inserted into a Windows-based computer. The software sneakily comes as part of a proprietary player, which the consumer "agrees" to install by clicking "OK" on an "End-User License Agreement" (EULA). The software was designed by a Sony BMG contractor, First 4 Internet, with the goal of limiting the number of copies of the disc that could be made, among other efforts at combatting what Sony BMG views as music piracy. It uses a nasty technique known as a rootkit to render itself invisible to the hapless consumer. Further, it seems to secretly pass information about the consumer's computer to Sony BMG via the Internet. It is also, for most intents and purposes, un-installable, meaning once the junk gets on someone's machine, that someone had better be a total computer brainiac or else have endless patience in dealing with Sony BMG** in order to get it off his system. (The only other option is apparently re-formatting the hard drive -- not normally a viable decision for most people, and quite a penalty to pay just for listening to a music disc you bought.)

Since a Windows programmer geek discovered what Sony BMG was doing a couple weeks ago, this particular business practice has generated quite a lot of consumer outrage and media coverage. The software has also been labeled as spyware by several anti-virus makers, including the folks at Microsoft.

So much for background. The whole story, still developing as I type this, has got me thinking again about music, copyright law, and the simple art of being human. My thoughts are not very organized, so I'm going to resort to the old technique of putting points in bold so as to look and sound more like I know what I'm talking about.

Treating paying customers like criminals is a bad business strategy.

Probably the most obvious point of this fiasco is that Sony BMG (and Sony generally) will likely pay a heavy price for acting in such a thoughtless and disrespectful way. Already at least two class action lawsuits have been filed, in California and New York, and the public relations disaster alone is sure to cost the company significant business as more and more consumers learn that they are viewed not as customers but as criminals. Which, ironically, leads me to my second point.

Installing crap -- especially spyware-type crap -- on people's computers without their knowledge or permission is a form of theft and aggression.

Look, it's like this. I spent my own money to buy a computer, which I spend money to maintain. I pay for the electricity needed to run it, the software and the Internet connection that lets me do the things I want to do on it, and the hardware that helps give me the performance I want. Anything that degrades my system's performance, clogs up my Internet connection, or limits my computer's functionality without my knowledge or consent is stealing money from me. Period.

Sony BMG's zealous (and ultimately fruitless) attempt to enforce the profits from its current moribund business model with this dangerous malware is akin to the behavior of a criminal intruder. I don't care what some ill-conceived and poorly written legislation might say on the matter; no one has the right to put anything on my computer that I don't want and agree to have there. And if they manage to do it, I have the absolute right to take any measure to remove it. (If time is money, then wasting my time as I repair security breaches due to, and recover my system's previous performance and functionality from, sneaky, crappy software is a form of theft too.)

Do I exaggerate? I don't think so. Everyone is always trying to get a hand in your pocket, and I am pretty tired of companies who think we (as consumers) have infinite amounts of time and money to waste on them. And some companies' irritating sense of entitlement really ticks me off.

The current copyright regime is flawed -- probably due to "intellectual property" being a myth -- and needs to be re-thought.

I realize that sounds bold and implies I have all the answers, but I admit up front that I don't. What I do know is that there are serious problems with any law that requires (or at least invites) such knuckle-dragging thuggery to enforce and which criminalizes ordinary and natural human behavior (more on this later) for no other reason than that some mega-company would prefer a guaranteed and perpetual pipeline to people's wallets. Sorry, no. There is no moral right to a guaranteed profit, especially profit that is the result of "selling" the same thing over and over to the same people who already bought it, or thought they bought it (as Mike Evangelist notes: "The [record companies] want to pretend to 'sell' us their product, but they don't want us to actually have it").

I also realize I am opening a huge can of worms here, particularly with regard to that last sentence. All I will say is that smarter people than me have made strong arguments against "intellectual property," and not necessarily from some commie pinko "what's yours is ours" perspective. I bring this up because a lot of people, while criticizing Sony BMG's use of digital rights management (DRM) malware, concede that they and other companies like them have a right to "protect" their "property" in this way. I don't know that I concede that because I don't know if I agree that "owning" music or ideas or phrases is the same thing as owning a house or a car or a chair. It just defies logic and common sense.

I would add that this is not the same thing as saying that artists of whatever stripe have no right to make money off of their creativity. As someone who would one day ideally like to support himself entirely on creative writing (though likely never will), I would not argue I had no right to do so. But I do question the current system where the Sony BMGs of the world rake in bundles from shiny little (and now defective) discs and the artists whose music is on the little discs have to tour their butts off to break even.

Under the current legal climate, intellectual property is a given. But whether, logically and morally, that should be the case is certainly up for debate. In any case, the existing law needs to be re-visited.

End-User License Agreements (EULAs) do not constitute meaningful consent, are not "contracts" in the normal sense of the word, and, in most cases, should not be legally enforceable.

It's hardly a secret that nobody reads the pages and pages of legal gobbledygook that now routinely come with any computer program (and now, apparently, with music discs). That means nobody knows what they're "agreeing" to when they install a game or listen to some tunes. It also means companies believe they can put any old thing in there and have it be legally binding. To take a not-random example, the Electronic Frontier Foundation dissected the 3000-word EULA that Sony BMG issues with its malware-infected music discs. Some pretty asinine restrictions turned up, including not being able to listen to any digital copies of the music at your place of work. The EULA also decrees that in the event of any problems with its product, Sony BMG will never owe you more than $5 for your trouble. Sorry, isn't a court supposed to decide things like damages?

Another argument is that companies using the EULA don't seem to take it seriously themselves. Sony BMG is again the example, as Princeton professor Ed Felten points out that another of Sony BMG's DRM malware schemes, Suncomm's MediaMax, installs itself even before the user accepts the EULA and does things the EULA either doesn't disclose or explicitly denies it does.

I understand the need for companies to limit their legal liabilities, especially in this age of hyperactive lawsuits and torts run amok. But does anyone beside software or record company types think it is reasonable to expect someone is going to pay for a product at the store, rush home to try it out, call their lawyer when they see some legalese they think sounds dubious, decide not to accept the EULA, and then go back to the store to return the product -- which they will get a credit for, since it's been opened, meaning they can likely only exchange for some other EULA-laden product?

Again, this is a large waste of people's time and resources. If the EULA is really meant to be an end-all, be-all legal contract, maybe companies should be required to print them on their products' boxes. That way, consumers can know up-front what their money is getting them and decide at the store if it's worth it. Heck, maybe they even actually sign a copy of the EULA and the store sends it to the manufacturer. Is all this impractical or unreasonable? Yep, but no more so than the idea of the EULA itself. (And I won't even get started on the absurdity of the "shrink-wrap license" concept.)

My understanding is there is some doubt over the legal status of EULAs. I haven't read up on it, but common sense would seem to indicate to anyone without a vested self-interest in selling-but-not-really-selling products that EULAs are essentially the tools of, well, tools.

Whether it be music, stories, thoughts, ideas -- creativity is at the heart of what it means to be human and to be free. How can anyone claim the right to control that?

All right, there is probably some overlap between this point and my point about copyright above, but what I want to say here is this: Even if no one ever made a dime from singing a song, playing an instrument, writing a story, or just dorking around with a gadget in a garage, people would still do these things. There would still be music, there would still be books, there would still be inventions -- because these things are the products of that which makes us human. There are motivations other than profit-making that drive our behavior -- things like love, curiosity, the desire to connect with others. (This is not to denigrate the necessary impulse to make money and earn a living, but it is to note that man stubbornly refuses to be reduced to merely an economic model.)

We are social creatures -- even the mad scientist working feverishly alone in his castle is usually trying to prove something to somebody -- and if you believe in God, as I do, you know that is because that is how he made us. If you don't believe in God -- well, it doesn't take much imagination to know that what I'm saying is true. To that extent, we will always have the urge to explore, create, invent, and share the results with others. Because that's how we are and it's what we do. How much money, if any, some media conglomerate presently makes off of these activities is irrelevant.

This Sony BMG fiasco is about much more than copyright profits and computer security.

That this whole issue touches on the essentially human is what sparks my interest in the subject, and is also why this post has become so damn long. There is simply so much to be said about anything that fundamentally affects who we are (and/or who we want to be). I've merely scratched the surface here.

But back to the immediate point, Sony BMG's decision to hold up a large "Do Not Do Business With Us" sign will have its intended effect, at least as far as my own purchasing habits go. Even more, owing to the enormous importance of this issue beyond Sony BMG's bottom line, I will instead be looking into donating the money I might have spent on buying music (or, uh, the license to listen to a musical recording under certain circumstances) to the EFF and other like-minded groups, since they seem to be on top of things and understand what the stakes are. So thanks and congratulations, Sony BMG, for throwing these issues into such sharp relief for me.

And that's my opinion.

* I am referring to Sony BMG's discs as music discs and not CDs because "Compact Disc" refers to a specific, defined standard for a digital audio disc -- and that standard precludes copy prevention schemes. That is why the Sony BMG discs, and others like them, do not (and cannot) have the "Compact Disc" logo on them. They are technically... something else.

** Late-breaking word is that the uninstaller available from Sony BMG, after much hoop-jumping, creates even more of a security problem. In fact, it's about as insecure as anything I've ever heard of. Good job, Sony.

Thursday, November 10, 2005

I Suck

So, you are no doubt wondering, how am I doing on the whole write-a-novel-in-30-days thing? In a word, poorly. Nine days in, and I'm supposed to have 15,000 words in order to be on track to finish in time. Do I have 15,000? Nope. 10,000? Nuh-unh. Try 6,100. Which means I'm almost 9,000 words behind. Blah.

Tuesday, November 08, 2005

Hey, How About a Coupon?

I haven't posted any coupons lately, so here's a 20% off good through November 14. Go grab some lousy books, CDs, and/or movies to give your relatives for Christmas. Or just indulge yourself, you selfish jerk.

Tuesday, November 01, 2005

It's That Time Again

What is November? Brightly colored leaves, dull grey skies, pumpkin pie, the end of college football season, Thanksgiving, the unofficial beginning of winter.

Oh yeah, and National Novel Writing Month, or NaNoWriMo for word-shortening hipsters.

Last year, I clawed my way across the finish line with 50,000 words of the novel that's been percolating inside of me for the past several years. This year, I'm going to "cheat" and continue that same novel, attempting to add another 50,000 words, or at least finish up a first draft, whichever comes first. For the record, I highly doubt I'll write anything like 50,000 words, considering I'm not feeling especially motivated this year. However, I'm still going to see about taking some time off of work to write this month, so we'll see what happens.

I'm also re-christening the book "Hurricane Season," since Katrina may factor into my setting of New Orleans in some fashion. The overall thrust of the book will be the same. Not that it matters, since whenever I go back to rewrite this turd, it will likely become something totally different than what it is now. Jeez, it had better be.

I'll download the snazzy new "participant" icon and stuff later. As for blogging the book, to the extent I do any of that, I'll just post it here instead of the old 2004 blog.

Anyway, wish me luck. In the meantime, here's a taste:

"Get out of here."

"It's true," I said.

I was on the phone with Kevin, who had reached me on his third try. It wasn't that I didn't want to talk to him; I just could never muster the wherewithal to call him back.

"You're actually dating her?" His boisterous voice came across the miles.

"I'm seeing her."

"What's the difference?"

I had no answer to his question, save that one does not date a married woman. But I wasn't about to bring that fact to light.